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An inside look at the research and development journey behind the custom external Tannoyista crossovers, meticulously engineered to optimize classic Tannoy Monitor Gold loudspeakers.
Type: Custom Audio Engineering Research & Development Documentation
Key Features: Multi-year iterative network testing, passive circuit refinement, heavy component stress-testing, optimized electrical alignment for vintage dual-concentric drivers
Verdict: A deep-dive exploration detailing how technical refinement and persistent sonic tuning achieve maximum fidelity from historic speaker units.
Reviewer Rating: 4.9 / 5.0
Tannoyista custom Monitor Gold crossovers are bespoke external passive loudspeaker crossover units designed for vintage Tannoy Monitor Gold 12-inch and 15-inch drivers. Handmade in Great Britain, they use updated components, point-to-point wiring and solid oak casework while retaining the original circuit approach described in the review.
External passive loudspeaker crossover units for Tannoy Monitor Gold drivers
Category
Loudspeaker Crossovers
Key Technologies
Point-to-point wiring, updated crossover components, solid oak casework and bespoke construction
Recommended For
Owners of vintage Tannoy Monitor Gold 12-inch and 15-inch loudspeakers seeking updated external crossover units
Verdict
Bespoke external crossover units designed to update classic Monitor Gold loudspeakers while retaining their original character as described in the review.
Tannoyista Rating
4.8 / 5
Josie Willow-Hecate Lewis — 6th January 2016.
Discover the ultimate crossovers for the Tannoy Monitor Gold Loudspeakers — by Tannoyista
D
esigned and handmade in Great Britain, the Tannoyista crossovers breathe new life into classic Tannoy Monitor Gold loudspeakers. They preserve the original magic, dynamics, and tonal uniqueness — while offering a refined, modern edge. Each set is individually numbered and built to order.
Housed in solid oak dovetailed casework and wired point-to-point, these crossovers are both upgradeable and adaptable to your system. They feature some of the finest components available today, chosen for sonic transparency and long-term reliability.
About Tannoyista
Tannoyista started life in 2012 when the realisation of how a set of loudspeakers that were
nearly 50 years old could still to this day compete and win over a vast array of other more
modern loudspeaker designs. After living with Monitor Golds for about 2 years the difference
in sound when using updated crossovers in comparison to the original sets was profound.
Based in the UK we have a passion for workmanship and a passion for accurate sound
reproduction. We test all of our crossovers using valve amplification as well as transistorised
(solid state) equipment. We endeavour to keep true to the classic sound using vintage source
equipment from the 1960s to the present day through vintage Lockwood speaker cabinets.
The Tannoyista external Monitor Gold crossovers are updated high-end upgrade crossover
units for the vintage Monitor Gold 15" & 12" series drivers.
As of 2017 Tannoyista no longer make these to order. Over 30 units worldwide have been
produced.
The crossover is the brains of the loudspeaker. Designed in 3D and meticulously handmade in
Great Britain, our crossovers give your speakers a natural refreshed sound without losing the
characteristic of the drivers.
Externalising the crossovers lets both crossover and driver perform without interference from
vibration and magnetic flux. Bringing together a tried and tested selection of today’s component
technology unveils the natural sound of the drivers.
With improved spatial separation and a rock solid central image, transient speed and definition
have a much more accurate sense of realism and weight, revealing a natural insight into the
recording without losing that magic which so many find addictively unique.
The Monitor Gold series drivers — A brief history
The very first dual concentric speaker was originally the Monitor Black way back in 1947.
Although originally conceived for laboratory use it soon became apparent with the later
iterations of the dual concentric design — from the Silvers to the Reds — that the point source
feature made for an excellent reproducer of music and voice.
When the Monitor Gold was released in 1967 it was very well received and therefore picked up
by many sound recording studios such as Trident, EMI and Decca in the 1960s.
From control rooms to projection booths, the Monitor Gold drivers were used in sound studios
worldwide. The most famous of the studios that used these drivers were Trident, EMI, Abbey
Road and CTS in London. They were used in the recording of Pink Floyd’s Dark Side of the
Moon and Pete Townshend of The Who also used them in his own private studio.
Generally these studio monitors were housed in large Lockwood cabinets such as the
Lockwood Majors and Universals.
I used my Tannoyista crossovers with the Lockwood Universal cabinets and my ex-Trident
Lockwood Major cabinets.
For more information on the Universal cabinets, click
HERE!
For more information on the ex-Trident Studios Lockwood Majors, click
HERE!
For more information regarding the R&D of these crossovers, click
HERE!
(Above) Lockwood Universals.
(Above) Thorens TD-124 MKII in R&D of the crossovers.
Research and Development of the Tannoyista external crossovers
Originally released in 1967, the Monitor Golds have now gathered a cult status and are also an
investment for many. The original crossovers are a classic and a superb piece of engineering,
but the passage of time has naturally caused the switches and some internal components to
inherit reliability and sonic issues.
Due to the high quality of the production by Tannoy, the drivers on the other hand are generally
found to be in perfect working order. Because these drivers are so well coveted sonically, we at
Tannoyista decided to build high-end updated external crossovers using the original circuit to
bring these drivers back to life.
(Above) First version of the crossovers with exposed components.
Back in 2012 we went into production of some basic upgraded crossovers (shown above). After
experimentation with numerous makes and types of components we fell upon a combination
that suited the drivers’ sound and dynamics.
Building upon this, we revisited the whole circuit layout to incorporate larger modern
components whilst accommodating an upgrade path to the full range of our component
research.
Designed in 3D, the layout, components, fixings, casework and connections were all visualised.
From that point onwards, updates have been progressing to bring even more types of
components into the mix for an optimum level of performance, reliability and upgradability.
External build quality and extras
All Tannoyista crossovers are handmade using a combination of solid oak casework, handmade
dovetailing and high-quality acrylics. This combination works together to dampen any obscure
vibrations. Metal fixings are kept to a minimum and the casework is hand-polished to bring out
the beauty of the wood.
They can be orientated to fit in your space either flat, on their side or on their end. Because
they are of a mirrored design, cabling up is easy and can be kept at equal lengths.
We also offer plinths for them to sit on in either orientation. Both of which are also made from
solid oak and can be finished to match.
Other finishes and woods such as Ash and Mahogany are available for both crossovers and
plinths. A choice of clear, semi-transparent and solid colour top panels are available.
To make them even more unique we also offer the option to have your favourite quote, lyric or
anything you wish laser-etched on the base plate.
Dimensions per unit:
Dimensions
Height
140mm
Width
260mm
Depth
200mm
(Height dimensions do not include feet or the units fitted with a plinth)
Upgradability
Your system and your budget is something we fully understand and therefore the Tannoyista crossovers need to be future proof.
Your feedback has told us that implementing the option of being able to upgrade components (in the places where it matters most) for system matching is very important.
Therefore all Tannoyista crossovers are built with or upgradeable to a fine selection of components such as:
Capacitors
Resistors
Connections
Claritycap
Duelund
Cardas CCBP Billet copper binding posts
Mundorf
Mundorf
WBT
Jensen
Mills
CMC Copper binding posts
Coils - All coils remain as Mundorf (Baked Varnish) and Mundorf foil types throughout the range.
Model range
Below are four models of our range. These can be made to order as-is and the option to change the specification to suit is possible, please contact us for more information.
All models are assembled in polished solid oak dovetailed case work.
SPEC 1 - Monitor Basic
SPEC 2 - Monitor Clearline
SPEC 3 - Monitor Silverline
SPEC 4 - Monitor Goldline Supreme
Mundorf wire wound (baked varnish) & foil type coils
Mundorf wire wound (baked varnish) & foil type coils
Mundorf wire wound (baked varnish) & foil type coils
Mundorf wire wound (baked varnish) & foil type coils
Mundorf Mox resistors
Mills resistors
Duelund Carbon/Silver resistors
Duelund CAST Carbon/Silver resistors
Claritycap ESA capacitors
Claritycap ESA Capacitors
Claritycap MR Capacitors
Claritycap MR Capacitors
Mundorf MCap MCAP Supreme Capacitors
Jensen Copper Paper in oil Capacitors
Jensen Copper Paper in oil Capacitors
Mundorf Supreme Silver/Gold/Oil Capacitors
CMC Copper binding posts
CMC Copper binding posts
Cardas CCBP Billet copper binding posts
Cardas CCBP Billet copper binding posts
Frequently Asked Questions
What makes the Tannoyista crossovers different from the original Monitor Gold crossovers?
The Tannoyista units retain the original circuit topology but use modern, high-transparency components, solid oak casework, and point-to-point wiring. This preserves the classic Monitor Gold sound while removing age-related issues such as noisy switches and degraded capacitors.
Do these crossovers change the sound signature of the Monitor Golds?
They maintain the original tonal character but improve clarity, transient response, and spatial precision. The goal is not to alter the Monitor Gold sound, but to reveal what the drivers can do when freed from ageing components and cabinet vibration.
Why are the crossovers external rather than internal?
Externalising the crossovers removes them from cabinet vibration, magnetic flux, and internal pressure changes. This results in cleaner midrange, tighter bass, and improved imaging. It also allows easier servicing and upgrading.
About the Author
Josie Willow-Hecate Lewis — audiophile equipment reviewer with more than 30 years of experience covering analogue turntables, valve amplification, loudspeakers, studio monitoring systems and high-end hi-fi design.
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